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#53 | ||||||
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This is a great thread and good to see some folks picking up where Dale left off
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| The Following 2 Users Say Thank You to Mills Morrison For Your Post: |
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#54 | ||||||
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If anyone needs a set of barrels to work, drop me a PM, I have a set in desperate need of a refinish!
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| The Following User Says Thank You to Rick Riddell For Your Post: |
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#55 | ||||||
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Most of what follows is direct from Dale Edmons:
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#56 | ||||||
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This is where I am stuck.
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| The Following 2 Users Say Thank You to Harry Collins For Your Post: |
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#57 | ||||||
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It is not Dale's, obviously, but looks pretty good from where I stand
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| The Following User Says Thank You to Mills Morrison For Your Post: |
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#58 | ||||||
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Almost there Harry. Getting them beyond this point to a true black is what we all look to accomplish. Good luck with them. It is often hard to get them beyond this point. Dale got there and we will too.
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| The Following 2 Users Say Thank You to Tom Flanigan For Your Post: |
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#59 | ||||||
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This is Dale's work on the 10 gauge I won the Southern with in 2005. I love the way Dale's barrels came out. That said I have some Parker examples that are almost black and I want to get closer to what I can compare. I have a short list of what to try next. Do me a favor Tom and look at the outline I use in the post above the pictures. I am open to any suggestions.
Harry |
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| The Following 2 Users Say Thank You to Harry Collins For Your Post: |
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#60 | ||||||
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Dales barrels in the picture you posted are beautiful, as are yours. I could be wrong, but I believe that the barrels when they left Parker were true black and not a dark gray. I have gotten there with a couple of barrels but I can't do it consistently and that's my problem. I can't seem to get over the hump with most barrels.
Take a look at my tutorial and see the set of Bernard that I did. I think this is what they looked like when the left the factory. I wish they all came out this way. I don't see the outline you mentioned. Please clarify. |
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