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#13 | ||||||
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How? Did they not float right? Mine's real low in the water. It's not a bad thing, I guess, since it's a diver, but I had to add more white.
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#14 | ||||||
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They floated well. They were just ugly, in the eyes of the stupid, blind, uninformed judges.
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#15 | ||||||
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Dallas,
If I could paint decoys that looked like that I'd actually be a decoy carver. I've had good luck shaping and making a good form but my painting is strictly hunting style meaning very basic and plain. Destry
__________________
I was as virtuously given as a gentleman need to be; virtuous enough; swore little; diced not above seven times a week; went to a bawdy-house once in a quarter--of an hour; paid money that I borrowed, three of four times; lived well and in good compass: and now I live out of all order, out of all compass. Falstaff - Henry IV |
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#16 | ||||||
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I agree. The paint doesn't look like that of a working decoy.
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#17 | ||||||
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My working birds are cork-bodied, and have a lot less detail
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#18 | ||||||
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"Working Decoys" for contests are a lot different than working decoys for the water. I don't know what the exact qualifications. But I believe they pretty much just have to be keeled and weighted as part of the judging is how they ride. I think they can be painted as detailed as the artist is able to do it.
DLH
__________________
I was as virtuously given as a gentleman need to be; virtuous enough; swore little; diced not above seven times a week; went to a bawdy-house once in a quarter--of an hour; paid money that I borrowed, three of four times; lived well and in good compass: and now I live out of all order, out of all compass. Falstaff - Henry IV |
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#19 | ||||||
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You have a Crowell on one side and a white milk jug on the other. Both have been known to attract the birds.
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#20 | ||||||
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Eh. If they do attract birds, I think a spread of even plastic decoys would look better than that
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